A summary of the earliest known epic poem

Characters
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Gilgamesh |
The troubled king of Erech, a Sumerian city state. (The first epic hero) |
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Enkidu |
A wild man sent to humble Gilgamesh who becomes his best friend |
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Inanna |
The Sumerian Goddess of Sexual Love and the planet Venus (in Babylon known as Ishtar, in Greece known as Aphrodite, in Rome known as Venus) |
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Ziusudra |
The Sumerian Noah who built an arc to survive a great flood sent by the gods |
Epic
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Name _______________________ Date_______________________
Writers group sentences into paragraphs to make their ideas clearer and more memorable. Paragraphing also makes writing easier to read.
A paragraph is a group of sentences that develop one main idea. Although shorter paragraphs tend to be more readable, a good paragraph may have dozens of sentences. Some sentences contain important details or supporting information. Supporting sentences can be of critical importance or they can simply add interesting ÒflavorÓ. Some sentences can work to transition between two paragraphs. All these sentences, read together, should generate a single idea, impression, or event in a readers mind.
Good writers will naturally have different ways of grouping their ideas together. Use a pencil (because you will change your mind and need to erase) to box together paragraphs or mark paragraph breaks with a Ò¦Ó. (This is symbol writers, editors, and teachers use to show how sentences can be grouped together.). USE SHORT, CLEAR, PHRASES to describe the main ideas of the paragraphs you identify. (There will probably NOT be 10 paragraphs in this piece of writing.)
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When the story begins Gilgamesh is very troubled by the idea of death. In many ways he is a good, heroic king, but he is a boastful and arrogant tyrant. Worse, no oneÕs daughter, wife, or sister is safe from his appalling lust. The people cry out to the gods to humble their king. The Earth Mother makes Enkidu, a wild man, out of clay. Enkidu is sent to defeat Gilgamesh, but first he meets a woman, an expert in the arts of love. Sex with her calms Enkidu and brings him some wisdom. When they finally meet, the citified Gilgamesh invites the innocent Enkidu to an orgy where many women are waiting. Enkidu is disgusted by the idea and the two fight a ferocious battle. Gilgamesh and Enkidu battle to a draw; neither one can defeat the other. They become the best of friends. Their many adventures give Gilgamesh hope that at least his name might live forever. Their great deeds draw the attention of Inanna, the goddess of love. She eagerly offers herself to Gilgamesh, but he rudely sends her away, knowing that sex with her means eventual death. This insult cannot go unpunished. Inanna arranges for the Bull of Heaven to attack GilgameshÕs city. The two heroes destroy the terrible beast. The angry gods then send a wasting sickness on Enkidu who dies and goes to the underworld. Gilgamesh is distraught, but more determined than ever to overcome death. Gilgamesh sets out on an exhausting journey to find ancient Ziusudra, the only man ever allowed to live forever. Ziusudra tells his own story. As a young man he heard the gods resolve to destroy mankind with a great flood. Ziusudra built an arc, saving himself, his family, and his animals. When the waters cleared, the gods rewarded him with eternal life, but Ziusudra will not offer much hope. Life is a gift of the gods who do not choose to spare anyone else from death. ZiusudraÕs wife persuades him to reveal that at the bottom of the sea there is a plant that brings everlasting youth. Gilgamesh travels to the shore and is able to dive deep enough to find and take it. Just before he safely arrives home, the gods send a snake to seize the magical plant while Gilgamesh bathes. The hero is forced to admit defeat and accept that he will surely die someday. As a mercy, the gods allow the shade of Enkidu to visit Gilgamesh and describe the few joys and many sorrows of the underworld. The poem ends with a long list of types of people and how they fare after death
The Gilgamesh stories were
first written by ancient Sumerians.
Centuries later they were compiled into a twelve-part epic by the
Babylonians
|
When the story begins
Gilgamesh is very troubled by the idea of death. In many ways he is a good, heroic king, but he is a
boastful and arrogant tyrant. Worse, no oneÕs daughter, wife, or sister is safe from his
appalling lust. The people cry out to the
gods to humble their king. The
Earth Mother makes Enkidu, a wild man, out of clay. Enkidu is sent to defeat Gilgamesh, but first he meets
a woman, an expert in the arts of love.
Sex with her calms Enkidu and brings him some wisdom. When they finally meet, Gilgamesh
invites Enkidu to an orgy where many women are waiting. Enkidu is disgusted by the idea and
the two fight a ferocious battle. Gilgamesh and Enkidu
battle to a draw, neither one can defeat the other. They become the best of friends. Their many adventures give Gilgamesh hope that at least his
name might live forever. Their great deeds draw the attention of Inanna, the
goddess of love. She eagerly
offers herself to Gilgamesh, but he rudely sends her away, knowing that sex
with her means eventual death. This insult cannot go
unpunished. Inanna arranges for
the Bull of Heaven to attack GilgameshÕs city. The two heroes destroy the terrible beast. The angry gods then send a
wasting sickness on Enkidu who dies and goes to the underworld. Gilgamesh is distraught, but more
determined than ever to overcome death. Gilgamesh sets out on an exhausting journey to find ancient Ziusudra, the only man ever allowed to live forever. Ziusudra tells his own |
story. As a young man he heard the gods
resolve to destroy mankind with a great flood. Ziusudra built an arc, saving
himself, his family, and his animals. When the waters cleared, the gods
rewarded him with everlasting life, but Ziusudra will not offer much hope.
Life is a gift of the gods who do not choose to spare anyone else from death. ZiusudraÕs wife persuades
him to reveal that at the bottom of the sea there is a plant that brings
everlasting youth. Gilgamesh
travels to the shore and is able to dive deep enough to find and take
it. Just before he safely
arrives home, the gods send a snake to seize the magical plant while
Gilgamesh bathes. The hero is
forced to admit defeat and accept that he will surely die someday. As a mercy, the gods allow
the shade of Enkidu to visit Gilgamesh and describe the few joys and many
sorrows of the underworld. The
poem ends with a long list of types of people and how they fare after death. 1. The main idea (or theme) of the Epic of Gilgamesh seems to be . . . a) How a good king should behave to his friends and subjects b) The importance of good judgment, wisdom and kindness c) The importance of love between friends and between men and women d) The gods cannot be controlled and all men must die |
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2. ÒWhen the story begins Gilgamesh is very troubled by the idea of death.Ó Which of the following would NOT be a correct way to revise the above sentence? a) When the story begins Gilgamesh is very troubled. He is troubled by the idea of death. b) Gilgamesh was very troubled when the story began. The idea of death was upsetting to him c) When the story begins Gilgamesh is very troubled. The idea of death. d) The idea of death is very troubling to Gilgamesh as the story begins. 3. ÒGilgamesh and Enkidu battle to a draw; neither one
can defeat the other.Ó Which of the following would be the best revision of the above sentence? a) Gilgamesh and Enkidu battle to a draw where neither one can defeat the other b) Gilgamesh and Enkidu battle to a draw where, neither one can defeat the other. c) Gilgamesh and, Enkidu battle to a draw where neither one can defeat the other d) Gilgamesh and Enkidu battle to a draw where. Neither one can defeat the other. 4. ÒTheir great deeds draw the attention of Inanna, the
goddess of love.Ó Which of the following revisions of the above sentence best preserves its meaning? a) Their great deeds reveal the attention of Inanna, the goddess of love. b) Their great deeds attract the attention of Inanna, the goddess of love. c) Their great deeds hide the attention of Inanna, the goddess of love d) Their great deeds repulse the attention of Innanna, the goddess of love. |
5. ÒGilgamesh is distraught, but more determined than
ever to overcome death.Ó Which of the following revisions of the above sentence best preserves its meaning? a) Gilgamish is upset, but more determined than ever to provoke death b) Gilgamesh is delighted, but more determined than ever to cheat death c) Gilgamesh is very distressed, but even more determined to defeat death d) Gilgamesh is deluded and more determined than ever to suffer death. 6. In this summary of the Epic of Gilgamesh, which events are told in the past tense? a) The Earth Mother makes Enkidu out of clay b) Ziusudra tells the story of the Great Flood c) The heroes save their city from The Bull of Heaven d) Enkidu dies of a wasting diease. 7. ÒZiusudraÕs wife persuades him to reveal that at the bottom of the sea there is a plant that brings everlasting youth.Ó Which of the following revisions of the above sentence best preserves its meaning? a) ZiusudraÕs wife makes him tell Gilgamesh about a plant that brings eternal youth b) ZiusudraÕs wife dares him to tell Gilgamesh about an aquatic plant of youth c) ZiusudraÕs wife makes Gilgamesh tell Ziusudra about a youth preserving plant d) ZiusudraÕs wife tells Gilgamesh about a plant that brings everlasting youth. |
Word Bank
|
Noun |
Adjective |
Verb |
Adverb |
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summary |
summarized, summary |
summarize |
summarily |
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revision |
revised |
revise |
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aquatic |
|
aquatically |
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everlasting |
|
everlastingly |
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revelation |
revealed, revealing |
reveal |
revealingly |
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preserve, preservation |
preserved, preserving |
preserve |
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event |
eventual |
|
eventually |
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hero |
heroic, |
|
heroically |
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waste |
wasting, wasteful, wasted |
waste |
wastefully |
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tense |
|
|
|
|
|
distraught |
|
|
|
determination |
determined |
determine |
determinedly |
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defeat |
defeated |
defeat |
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draw |
drawn |
draw |
|
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deed |
|
do |
|
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attention |
attentive |
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attentively |
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draw |
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battle |
battling, embattled |
battle |
|
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trouble |
troubled, troubling |
trouble |
troublingly |
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idea |
ideal |
idealize |
ideally |
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beginning |
|
begin |
|
|
death |
dead |
die |
deadly |
|
epic |
epical |
|
epically |
|
importance |
important |
|
importantly |
The Epic of Gilgamesh

1 (v) to look at again - especially with an eye toward making changes or improvements in the written form, to change or amend
4 (adj) the quality of being under attack, constantly assaulted, challenged, or criticized
6 (v) to show what was once hidden, to uncover
10 (adj) having meaning or consequences
11 (v) to cause problems or difficulties, to worry or distract
14 (n) an accomplishment or action (usually something memorable whether for good or bad reasons)
15 (adj) extremely upset, unable to cope, overcome with emotion
16 (v) to shorten (to make a long story short)
19 (adj) that which makes someone slowly sicken and die
20 (adj) not immediate, something that will happen sometime in the future
21 (v) to make useless, to spoil or go bad, to destroy or kill
23 (n) a change in a verb form to indicate time (past, present, or future)
24 (n) start
2 (n) a short version covering the main ideas and most important details
3 (n) problems or difficulties
5 (n) a tie, a situation where two opponents are evenly matched and neither one can prevail
7 (n) a sudden and enlightening insight, a surprising new understanding
8 (v) to pull towards, to drag or pull along
9 (n) a quality that resists surrender or giving up, the quality that allows one to persist despite frustrations or difficulties
12 (n) the end of life
13 (n) a concept or mental image, an understanding or clue
15 (v) to conquer, to subdue, to win over, to overcome
16 (adj) quick, without ceremony or care
17 (n) focus, directed and persistent care
18 (n) a fight
20 (n) a long poem describing heroic deeds which often reveals the character of a certain people or civilization, a significant adventure or tale of such an adventure
22 (n) a person who has accomplished difficult, daring, or inspiring deeds
Crossword Key (Definitions)
|
summary |
(n) a short version covering the main ideas and most important details |
|
summarize |
(v) to shorten (to make a long story short) |
|
summary |
(adj) quick, without ceremony or care |
|
revise |
(v) to look at again Ð especially with an eye toward making changes or improvements in the written form, to change or amend |
|
reveal |
(v) to show what was once hidden, to uncover |
|
revelation |
(n) a sudden and enlightening insight, a surprising new understanding |
|
eventual |
(adj) not immediate, something that will happen sometime in the future |
|
hero |
(n) a person who has accomplished difficult, daring, or inspiring deeds |
|
waste |
(v) to make useless, to spoil or go bad, to destroy or kill |
|
wasting |
(adj) that which makes someone slowly sicken and die |
|
tense |
(n) a change in a verb form to indicate time (past, present, or future) |
|
distraught |
(adj) extremely upset, unable to cope, overcome with emotion |
|
determination |
(n) a quality that resists surrender or giving up, the quality that allows one to persist despite frustrations or difficulties |
|
defeat |
(v) to conquer, to subdue, to win over, to overcome |
|
draw |
(n) a tie, a situation where two opponents are evenly matched and neither one can prevail |
|
deed |
(n) an accomplishment or action (usually something memorable whether for good or bad reasons) |
|
attention |
(n) focus, directed and persistent care |
|
draw |
(v) to pull towards, to drag or pull along |
|
battle |
(n) a fight |
|
embattled |
(adj) the quality of being under attack, constantly assaulted, challenged, or criticized |
|
trouble |
(n) problems or difficulties |
|
trouble |
(v) to cause problems or difficulties, to worry or distract |
|
idea |
(n) a concept or mental image, an understanding or clue |
|
beginning |
(n) start |
|
death |
(n) the end of life |
|
epic |
(n) a long poem describing heroic deeds which often reveals the character of a certain people or civilization, a significant adventure or tale of such an adventure |
|
importance |
(adj) having meaning or consequences |